Get “All Sturm and no Drang”: Beckett and Romanticism: Beckett PDF

ISBN-10: 9042023015

ISBN-13: 9789042023017

Some time past few a long time there were scattered efforts to deal with the subject of Beckett and Romanticism, however it is still tricky to fathom his ambiguous and a bit of paradoxical perspective towards this era in literature, track and paintings background.

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Extra resources for “All Sturm and no Drang”: Beckett and Romanticism: Beckett at Reading 2006 (Samuel Beckett Today/Aujourd’hui, Volume 18)

Example text

Like Yeats, Beckett professed to the aim of maintaining a “cold eye” (Knowlson, 252) in his writing, and also like Yeats, who made this his epitaph, the indifference of death enters into this attitude. In his Essays upon Epitaphs, Wordsworth proposes a different kind of language to his predecessors, and he, unlike Beckett and Johnson, appears to put the dramatic at the heart of his creative response to death. 60). Looking more closely at this process, however, he is again forced to concede the proximity between death and detachment.

The equanimity needed to contemplate one’s past feelings comes only with proximity to death. Ironically, however, there is attendant on this situation a process of “decomposition” that both echoes and undermines Wordsworth’s “composition” in the original text. Wordsworth’s original notion involved a privileging of individual feeling, an expectation that one will gain insight into one’s own feelings over time, and a belief in the creative uses of past experience as a basis for art. These principles are dismantled in Beckett’s text.

The equanimity needed to contemplate one’s past feelings comes only with proximity to death. Ironically, however, there is attendant on this situation a process of “decomposition” that both echoes and undermines Wordsworth’s “composition” in the original text. Wordsworth’s original notion involved a privileging of individual feeling, an expectation that one will gain insight into one’s own feelings over time, and a belief in the creative uses of past experience as a basis for art. These principles are dismantled in Beckett’s text.

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“All Sturm and no Drang”: Beckett and Romanticism: Beckett at Reading 2006 (Samuel Beckett Today/Aujourd’hui, Volume 18)


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