Get A Gravity's Rainbow Companion: Sources and Contexts for PDF

By Steven C. Weisenburger

ISBN-10: 0820337641

ISBN-13: 9780820337647

Including a few 20 percentage to the unique content material, it is a thoroughly up-to-date variation of Steven Weisenburger's fundamental advisor to Thomas Pynchon's Gravity's Rainbow. Weisenburger takes the reader web page through web page, frequently line through line, throughout the welter of old references, clinical info, cultural fragments, anthropological learn, jokes, and puns round which Pynchon wove his tale. Weisenburger totally annotates Pynchon's use of languages starting from Russian and Hebrew to such subdialects of English as Forties highway speak, drug lingo, and armed forces slang in addition to the extra vague terminology of black magic, Rosicrucianism, and Pavlovian psychology.

The Companion additionally unearths the underlying association of Gravity's Rainbow--how the book's myriad references shape styles of that means and constitution that experience eluded either admirers and critics of the novel.

The Companion is keyed to the pages of the valuable American variations of Gravity's Rainbow: Viking/Penguin (1973), Bantam (1974), and the detailed, repaginated Penguin paperback (2000) honoring the unconventional as one among twenty "Great Books of the 20th Century."

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Extra resources for A Gravity's Rainbow Companion: Sources and Contexts for Pynchon's Novel (Revised 2nd Edition)

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A military abbreviation for a Bachelor Officers’ Quarters. 22 “A4, yes” Pirate uses the German name for the V-2 rocket in its operational configuration (or Aggregat) after three earlier versions (so Aggregat-4). 39n). 4n). The Allies began using the term in August 1944. 25n) George Formby starred in a 1946 film, George in Civvy Street. 28 Bartley Gobbitch, DeCoverly Pox Bartley’s surname would seem to stem from the Middle English “gobbet” or “gobbit,” the noun (according to the OED) for a part or piece or lump of something, usually a mass of flesh (but also even a passage) from a body (or text), while Mr.

The Windmill opened in 1931 as a venue for stage drama but poor receipts forced a turn to variety theater. “Revudeville,” begun in 1932 and evidently the first of its kind in London, spotlighted low comedy and chorus lines of Parisian-style nearly nude dancing girls, “cont. dly. 12:15 – 9:30,” according to the Times. Through the Blitz, the Windmill was the one theater that never closed, its performers often sleeping overnight during the worst bomber, V-1, and V-2 attacks. 23–24 the Frick Frack Club in Soho London’s Soho district, now known as the hub of London filmmaking, once was home to clubs of low repute and numerous secondhand shops; the Frick Frack Club is unknown, but the phrase “frick and frack” was war-era slang for any two persons or objects related or nearly identical to each other.

This appropriation of Zipf’s data thus tallies with numerous other images in GR, where the arch, the parabola, and the bow loom as signs of disturbance and pathology. For useful background on Gloaming’s comments see Zipf on “Pathological Language” (PsychoBiology 216 –18). 5 Falkman and His Apache Band Another band name lifted from the Times of London BBC broadcasting schedules. M. on December 26), but his recordings might have appeared on the “Top Ten” or “Forces Favorites” shows that aired every evening, ten to midnight.

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A Gravity's Rainbow Companion: Sources and Contexts for Pynchon's Novel (Revised 2nd Edition) by Steven C. Weisenburger

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